He references the Book of Ecclesiastes but also Elvis Presley, and offers up the grim perspective of a man whose views do not fit in with the world around him. to your comment. EP“Well you know that I love to live with you/ but you make me forget so very much / I forget to pray for the angels / and then the angels forget to pray for us.” {{#sender.isSelf}} Included on her 1966 album Wild is the Wind, Simone depicts four characters – Aunt Sarah, Saffronia, Sweet Thing and Peaches – who represent different parts of the lasting legacy of slavery. It’s about love, death, God and the dark things in our life we daren’t confront – the rush of words delivered with riveting understatement. All Apologies – a mea culpa howled from the precipice – was directed to his wife, Courtney Love, and their baby daughter, Frances Bean.

EP“I got a letter from the government/ The other day/I opened and read it/It said they were suckers/ They wanted me for their army or whatever/ Picture me given' a damn, I said never.” Loudon III, a cult folkie in his own right walked out on the family when Rufus was a child and the simmering resentments had lingered on. “You might just be a black Bill Gates in the making,” she muses, but then decides, actually: “I might just be a black Bill Gates in the making.” RO“Lover, please do not / Fall to your knees / It’s not Like I believe in / Everlasting love.” Beyonce had made politically charged statements before this, but “Formation” felt like her most explicit. Beyonce had made politically charged statements before this, but “Formation” felt like her most explicit. Few artists use surrealism as successfully as Kate Bush – or draw inspiration from such unusual places. try again, the name must be unique As with Leonard Cohen, you could spend the rest of your days debating the greatest Morrissey lyrics. But the Satanic majesty also flows from the lyrics – which spoke to the pandemonium of the era and the sense that civilisation could come crashing in at any moment. RO“Digital witnesses/ what’s the point of even sleeping?/ If I can’t show it, if you can’t see me/ What’s the point of doing anything?” EP"I'm the mild, money-getting style, rolling foul/ The versatile, honey-sticking wild golden child/ Dwelling in the Rotten Apple, you get tackled/ Or caught by the devil's lasso, s*** is a hassle" No other composition more movingly articulates the despair that was set to devour him whole and the chest bursting love he felt for his family. Amid the choirs and the primordial guitars, what gives the nine-minute belter its real power are the lyrics – which may (or may not) allude to the not-at-all amicable departure from the Sisters of Wayne Hussey and Craig Adams. And yet, it’s the sheer, triumphant dunder-headedness of Oasis’ biggest hits that makes them so enjoyable. Today, the credit for its uncanny power largely goes to Merry Clayton’s gale-force backing vocals. Basking in its semi-official status as student disco anthem Joy Division’s biggest hit has arguably suffered from over-familiarity. Blur waxing clever, winking at Martin Amis etc, could never hold a candle to Oasis being gleefully boneheaded.


EP"I like my baby hair, with baby hair and afros / I like my negro nose with Jackson Five nostrils / Earned all this money but they'll never take the country out me / I got hot sauce in my bag, swag."

EP"You're like my yo-yo/ That glowed in the dark/ What made it special/ Made it dangerous/ So I bury it/ And forget." Has a break-up dirge ever stung so bitterly as when the Libertines duo counted the ways in which each had betrayed the other? But it was also a break-up record mourning the end of his marriage of 11 months to Carrie Fisher.

The meta horror movie of Ashes to Ashes?

There are hundreds of great songs about epic, romantic love, and there are hundreds of other Beatles songs that could have made this list. The way Peter’s father is compared to such a vivid childhood memory is a perfect, haunting testimony to the ways we are affected by loss as adults. Thin Lizzy’s biggest hit was in part inspired by Phil Lynott’s childhood memories of a Manchester criminal gang. He was never more searing than on this early confessional – a rumination on his poverty-wracked childhood and the addictions that ripped like wildfire through his extended family in Compton and Chicago. The most insightful comments on all subjects

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